Helmed by Antoine Blossier, ‘K.O.‘ follows a former MMA fighter named Bastien, whose career came to an abrupt end after he accidentally took the life of an opponent while fighting in the ring. Wracked with guilt, Bastien tried to make amends with the family of the dead opponent, specifically his wife, Emma, and son, Leo, only to receive their hatred as they blamed him for taking away their loved one. Years later, a reclusive Bastien is tasked with finding Leo after the boy gets mixed up in bad business, putting his life in danger. As such, he embarks on a journey to absolve his past sins while also ensuring the consequences of his actions are not visited on a young boy’s shoulders. The Netflix action movie takes the tried and tested formula of a redemption narrative and grounds it in a world of blood, mayhem, and lethal combat.
K.O. Explores the Trauma of a Death Within the Confines of Sports
For the most part, ‘K.O.’ is a fictional story written and directed by Antoine Blossier, delving into the bone-crunching reality of a life devoted to violence and crime. The movie does this through the eyes of a repentant MMA fighter, Bastien, who has seen and contributed to his fair share of bloodshed, which has a life-altering effect on his mindset. In the opening scenes, we see the protagonist fighting tooth and nail for a victory against an opponent named Enzo Prince inside the fighting cage. Things go badly awry when, in his quest for victory, Bastien takes his moves too far and ends up killing Enzo within the ring, a sight witnessed by his wife and son, who ultimately pay the price for Enzo’s demise. However, the story focuses on the guilt left behind in Bastien’s soul for the monstrous act of killing someone.
While the movie depicts a fictional narrative, its context resembles many real-life cases of tragic deaths in the field of sports. For instance, the MMA industry itself has had over a dozen recorded fatalities from sanctioned contests. The likelihood is much greater in the mixed martial arts profession because, unlike other combat sports, neck and head injuries are a frequent occurrence, which can severely complicate matters for the victim. In 2023, ice hockey player Adam Johnson, who played for the Nottingham Panthers, passed away after his neck was sliced during a collision encounter with Matt Petgrave, a defensive player on the Sheffield Steelers team. The incident caused a huge ripple effect across the ice hockey industry and also other sports in general, showcasing risks associated with high-level sports.
Even though Bastien’s actions may be fictionally conceived, cases such as Adam Johnson’s highlight the fine line between life and death and how it can have enormous unintended consequences for those who are close to the tragedy. As a concept, sports are meant to encourage competition between highly skilled and driven individuals to prove themselves on the biggest stage. But ‘K.O.’ asks the question – what happens when your desire and ambition go too far and end up costing you in the process? Here, the victim is not just the one whose life is lost but also the one carrying out the killing in an accidental manner. Bastien makes it his life’s mission to rectify his errors by saving the son of his dead opponent. It makes him seem human and vulnerable, grounding the fictional narrative authentically.
Bastien: An MMA Fighter Vaguely Rooted in Reality
The leading figure in ‘K.O.’ is undoubtedly Bastien, the resolute protagonist who is trying to make amends for a terrible accident. While he is depicted as a former MMA fighter at the top of his game, there is no Bastien in reality, which severs most of his ties with real-life people. However, Ciryl Gane, who plays Bastien, is a French MMA fighter who has lit up the stage with his athleticism, technical and tactical prowess, and powerful strikes. As such, it is highly plausible that writer-director Antoine Blossier modeled his protagonist after Gane, making him a seamless fit to portray the character on screen. This is particularly advantageous when it comes to the complex fighting choreography scattered throughout the movie, allowing Gane the chance to show his skills against hordes of enemies.
One of the notable aspects of ‘K.O.’ is how it tries to include moments of weakness and exhaustion in the extended combat scenarios involving Bastien. During such fights, he often takes the time to collect his breath before engaging the next set of enemies, which feels realistic and highly reminiscent of projects such as Netflix’s ‘Daredevil.’ Gane, who has a wide array of experience in MMA fights, including some contests in the UFC (Ultimate Fighting Championship), may have also brought his own input during these challenging fighting routines set up for the film, further influencing Bastien’s movements by tracing his own. Thus, the protagonist has a potential overarching link to real-life MMA fighters through Gane’s performance, basing him partially in reality.
Read More: K.O. Ending Explained: How Does Bastien Save Léo?